BOOKS AND EXHIBITION CATALOGS
  • Adamson, Jeremy. New Sculpture: Seventh Annual Exhibition of Sculpture. Toronto: Hart House, University of Toronto, 1967.
  • Alloway, Lawrence. Pattern Art: Twentieth Anniversary 1946–1966. New York: Betty Parsons Gallery, 1966.
  • Anderson, Wayne. American Sculpture in Process: 1930–1970. Boston: Little, Brown and Company, for New York Graphic Society, 1975.
  • Annual Exhibit of Contemporary American Sculpture 1964. New York: Whitney Museum of American Art, 1964.
  • Annual Exhibition 1966: Contemporary Sculpture and Prints. New York: Whitney Museum of American Art, 1966.
  • Art Gallery of Ontario: The Canadian Collection. Toronto: McGraw-Hill, 1970.
  • Ashton, Dore. Modern American Sculpture. New York: Harry N. Abrams, 1967.
  • ———. American Sculpture of the Sixties. Grand Rapids, MI: Grand Rapids Art Museum, 1969.
  • ———. The New York School: A Cultural Reckoning. New York: The Viking Press, 1972.
  • Baker, Kenneth. Minimalism. New York: Abbeville Press, 1988.
  • Barrie, Brooke. Contemporary Outdoor Sculpture, introduction by Glenn Harper. Gloucester, MA: Rockport Publishers, 1999.
  • Battock, Gregory, ed. Minimal Art: A Critical Anthology. New York:
  • E. P. Dutton and Co., 1968.
  • Beardsley, John. Art in Public Places: A Survey of Community-Sponsored Projects Supported by the National Endowment for the Arts, edited by Andy Leon Harney. Washington, D.C: Partners for Livable Places, 1981.
  • ———. A Landscape for Modern Sculpture: Storm King Art Center. New York, London, Paris: Abbeville Press, 1996.
  • Bellerby, Greg. Robert Murray: Sculpture and Working Models. Victoria, BC: Art Gallery of Greater Victoria, 1983.
  • Berger, Rene. Second Salon International de Galeries Pilotes: Artistes et Découvreurs de Notre Temps, commentary by Betty Parsons. Lausanne, Switzerland: Musée Cantonal des Beaux-Arts.
  • Brest, Jorge Romero. Premio International, statement by Robert Murray. Buenos Aires: Centro de Artes Visuales del Instituto Torcuato Di Tella.
  • Burnett, David, and Marilyn Schiff. Contemporary Canadian Art. Edmonton, AL: Hurtig Publishers Ltd. in cooperation with The Art Gallery of Ontario, 1983.
  • Cameron, Dorothy. Sculpture ’67, statement by Robert Murray. Toronto: National Gallery of Canada, 1967.
  • Catalogue raisonne: Tamarind Lithography Workshop, Inc., 1960–1970. Albuquerque: University of New Mexico Art Museum, 1989.
  • Collishcan, Judy. Welded Sculpture of the Twentieth Century. New York: Hudson Hills Press, in association with the Neuberger Museum of Art, Purchase, NY, 2000.
  • Colpitt, Frances Jean. Minimal Art: The Critical Perspective. Ann Arbor, MI: UMI Research Press, 1990.
  • Davies, Hugh Marlais. Artist & Fabricator, interviews with Robert Murray, Donald Lippincott, and Roxanne Everett. Amherst, MA: University Gallery, Fine Arts Center, University of Massachusetts, Amherst, 1975.
  • 11th Biennial of Outdoor Sculpture. Middelheim: Middelheim Open-Air Museum of Sculpture, 1971.
  • Emery, Tony, and Doris Shadbolt. Ronald Bladen/Robert Murray, artist statements by Ronald Bladen and Robert Murray. Vancouver: The Vancouver Art Gallery, 1970.
  • Eyles, Nick, ed. Georgian Bay: Discovering a Unique North American Ecosystem, with an essay, “Art of the Georgian Bay,” by Christine Boyanoski. Markham, ON: Fitzhenry & Whiteside, 2017.
  • Finkelstein, Christine E. Robert Murray. Hamilton, NJ: Grounds for Sculpture, 1997.
  • Fraser, Ted. Kenneth Lochhead: Garden of Light. Regina, SK: Mackenzie Art Gallery, 2005.
  • Friedman, Martin. 14 Sculptors: The Industrial Edge, essays by Barbara Rose and Christopher Finch. Minneapolis, MN: Walker Art Center, 1969.
  • Fundaburk, Emma Lila, and Mary Douglass Foreman. Art in the Environment in the United States: A Book of 600 Photographs of Art in Architectural, Natural, Historic and Modern Settings Across the Nation. Luverne, AL: Emma Lila Fundaburk, 1975.
  • Giménez, Carmen. David Smith: A Centennial. New York: Guggenheim Museum, 2006.
  • Goossen, E. C. Betty Parsons Private Collection. New York: Finch College Museum of Art, 1968.
  • Hall, Lee. Betty Parsons: Artist, Dealer, Collector. New York: Harry N. Abrams, 1991.
  • A Hemispheric Venture: Thirty-Five Years of Culture at the Americas Society, 1965–2000. New York: Americas Society, 2000.
  • Henry, Martha. Robert Murray. Brooklyn, CT: New England Center for Contemporary Art, 1990.
  • Henry, Victoria, ed. Art at Work: The Canada Council Art Bank. Ottawa: The Art Bank, in cooperation with Goose Lane Editions, 2007.
  • Hill, Charles C. The Group of Seven: Art for a Nation. Ottawa: National Gallery of Canada publications division, in collaboration with McClelland & Stewart, Toronto, 1995.
  • Hunter, Sam. Art in Business: The Philip Morris Story. New York: Harry N.
  • Abrams, 1979.
  • Hunter, Sam. Monumental Sculpture for Public Spaces. Boston: Institute of Contemporary Art, 1971.
  • ———. Monumenta: A Biennial Exhibition of Outdoor Sculpture, essay by Hugh M. Davies and Sally E. Yard. Newport, RI: Monumenta Newport, 1974.
  • Kardon, Janet, Lawrence Alloway, Ian McHarg, and Nancy Foote. Urban Encounters: Art, Architecture, Audience. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980.
  • Leclerc, Denise. The Crisis of Abstraction in Canada. Ottawa: National Gallery of Canada, 1992.
  • Leclerc, Denise, and Marion H. Barclay. Robert Murray: The Factory as Studio, introduction by Barbara Rose; interviews by Barclay with Robert Murray and Donald Lippincott. Ottawa: National Gallery of Canada, 1999.
  • Lehrer, Ruth Fine. Watercolors by Robert Murray and Toni Onley. Philadelphia: Olympia Galleries, 1976.
  • Leonard, William C. Monumental Art. Cincinnati, OH: The Contemporary Art Center, 1970.
  • Lerner, Abram, ed. The Hirschhorn: Museum and Sculpture Garden. New York: Harry N. Abrams, 1974.
  • Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010.
  • MacGregor, Ron, Constance P. Hall, Bryan Bennett, and Ann Calvert. Canadian Art: Building a Heritage. Scarborough, ON: Prentice-Hall Canada, 1987.
  • Marisol, Robert Murray, Jay Wholley. Hamilton, NJ: Grounds for Sculpture, 1997.
  • Marshall, Neil. Robert Murray: Recent Sculpture. Toronto: David Mir-vish Gallery, 1975.
  • ———. Robert Murray: Sculpture. Houston, TX: Sewall Art Gallery, Rice University, 1978.
  • ———. The Sculpture of Robert Murray. Unpublished essay in Robert Murray archive. New York, 1983.
  • Mathis, Kenneth L. Robert Murray: A Sculpture Exhibition, essay by Neil Marshall. Dayton, OH: The Dayton Art Institute, 1979.
  • McKay, Sally, and Andrew J. Paterson. Money Value Art: State Funding, Free Markets, Big Pictures. Toronto: YYZ Books, 2001.
  • McLeod, Susan, ed. Season of Sculpture: Biennial Exhibitions 1999–2012. Sarasota, FL: Season of Sculpture, 2013.
  • McPherson, Hugo. Painting and Sculpture: The Canadians 1867–1967, edited by J.M.S. Careless and R. Craig Brown. Toronto: MacMillan, 1967.
  • Meade, Jo Ann, et al. ARTLUMINUM. Montreal: La Maison Alcan et La Galerie d’art Lavalin, 1989.
  • Meilach, Dona, and Don Seiden. Direct Metal Sculpture. New York: Crown, 1966.
  • Metzger, Robert P. Robert Murray: Retrospective. Reading, PA: Reading Public Museum, 1994.
  • Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press, 2004.
  • Murray, Joan. Canadian Art in the Twentieth Century. Toronto: Dundurn Press, 1999.
  • Naylor, Colin, ed. Contemporary Artists, 3rd ed. Chicago and London: St. James Press, 1989.
  • Newlands, Anne. Canadian Art: From Its Beginnings to 2000. Willowdale, ON: Firefly Books, 2000.
  • 1968 Annual Exhibition: Contemporary American Sculpture. New York: Whitney Museum of American Art, 1968.
  • O’Brian, John. The Flat Side of the Landscape: The Emma Lake Artists’ Workshops, with essays by Ann K. Morrison, David Howard, Matthew Teitelbaum, Terry Atkinson. Saskatoon, SK: Mendel Art Gallery, 1989.
  • Onley, Toni. Flying Colours: The Toni Onley Story, as told to Gregory Strong. Madeira Park, BC: Harbour, 2002.
  • The Opening. Toronto: David Mirvish Gallery, 1970.
  • Parkin, Jeanne. Art in Architecture: Art for the Built Environment in the Province of Ontario. Toronto: Visual Arts Ontario, 1982.
  • Project: New Urban Monuments. Akron, OH: Akron Art Institute, 1977.
  • Reid, Dennis. A Concise History of Canadian Painting. Toronto: Oxford University Press, 1973.
  • Robert Murray. Toronto: David Mirvish Gallery, 1967.
  • Robert Murray: Recent Sculpture. Toronto: David Mirvish Gallery, 1974.
  • Robert Murray: Recent Works. New York: Richard Green Gallery, 1986.
  • Robert Murray: Working Models. Rome: Centro Culturale Canadese, 1985.
  • Rose, Barbara. American Art Since 1900, revised and expanded edition. New York: Holt, Rinehart and Winston, 1975.
  • ———. Autocritique: Essays on Art and Anti-Art 1963–1987. New York: Weidenfeld & Nicolson, 1988.
  • Sandler, Irving. Sculpture in Environment. New York: New York City Administration of Recreation and Cultural Affairs for the Cultural Showcase Festival, 1967.
  • ———. The Triumph of American Painting: A History of Abstract Expressionism. New York: Harper & Row, 1970.
  • Schwartz, Sheila, ed. Walker Art Center: Painting and Sculpture from the Collection, introduction by Martin Friedman. Minneapolis: Walker Art Center; New York: Rizzoli International, 1990.
  • Sculpture Downtown. Detroit: Michigan State Council for the Arts, 1969.
  • Sculpture in the Park: An Exhibition of American Sculpture. Paramus, NJ: North Jersey Cultural Council, 1971.
  • Shiff, Richard, Carol C., Mancusi-Ungaro, and Heidi Colsman-
  • Freyberger. Barnett Newman: A Catalog Raisonné. New York: Barnett Newman Foundation; New Haven: Yale University Press, 2004.
  • Siegel, Jeanne. ArtWords: Discourse on the 60s and 70s, interview with Robert Murray about Barnett Newman. Ann Arbor, MI: UMI Research Press, 1985.
  • Smith, Brydon. Robert Murray, exhibition catalog for the São Paulo Biennial. Ottawa: National Gallery of Canada, 1969.
  • Statements: 18 Canadian Artists. Regina, SK: Norman Mackenzie Art Gallery, 1967.
  • Swain, Robert. Hidden Values: Contemporary Canadian Art in Corporate Collections, introduction by Robert Fulford. Vancouver and Toronto: Douglas & McIntyre, 1994.
  • Teitelbaum, Matthew. The Mendel Art Gallery: Twenty-Five Years of Collecting. Saskatoon, SK: Mendel Art Gallery, 1989.
  • Thurman, Sue. Nine Canadians. Boston: Institute of Contemporary Art.
  • Townsend, William, ed. Canadian Art Today. London: Studio International, 1970.
  • Tuchman, Maurice, ed. American Sculpture of the Sixties, essays by Lawrence Alloway, Wayne V. Andersen, Dore Ashton, John Coplans, Clement Greenberg, Max Kozloff, Lucy Lippard, James Monte, Barbara Rose, Irving Sandler, and artist statements. Los Angeles: Los Angeles County Museum of Art, 1967.
  • Tucker, William. The Condition of Sculpture. London: Arts Council of Great Britain, 1975.
  • 20th Century World Architecture. London and New York: Phaidon, 2012.
  • Wilkin, Karen. Color as Field: American Painting, 1950–1975, with an essay by Carl Belz. New York: American Federation of Arts, in association with Yale University Press, 2007.
  • Withrow, W. J., and J. H. Waghorne. Art and Engineering, statement by Robert Murray. Toronto: Art Gallery of Ontario, 1965.
  • Young America 1965: Thirty American Artists under Thirty-Five, introduction by Lloyd Goodrich. New York: Whitney Museum of American Art, 1965.
  • Youngs, Christopher. Robert Murray: Wood + Metal. Reading, PA: Freedman Gallery, Albright College Center for the Arts, 2004.
 
 
PERIODICALS
  • Ashbery, John. “Out of Left Field.” New York, April 2, 1979, 68–70.
  • Babinska, Anna. “Robert Murray.” Vanguard, September 1981, 44.
  • Blake, Peter. “Welded Giants.” The Architectural Forum, April 1967, 54–56.
  • Bodolai, Joe, ed. “Sculpture: A Rebirth of Humanism.” Artscanada 31, no. 2, issue number 190/191 (Autumn 1974): 40–48.
  • Bongartz, Roy. “Where the Monumental Sculptors Go.” Art News 75, no. 2 (February 1976): 34–37.
  • Cone, Jane Harrison. “New Work by Robert Murray.” Artforum 7 (September 1968): 36–39.
  • Davies, Hugh M. “Robert Murray: Generating Sculpture from the Metal Plate.” Arts Magazine 52, no. 2 (October 1977): 127–31.
  • Friedman, Martin. “14 Sculptors: The Industrial Edge.” Art International 14, no. 2 (February 1970): 31–40.
  • Fulford, Robert. “The Giant-Size Art of Robert Murray.” Saturday Night Magazine, December 1975, 27–35.
  • Glenn, Kenneth. “International Sculpture Symposium.” Arts & Architecture 83, no. 1 (January 1966): 22–27.
  • Greenberg, Clement. “Clement Greenberg’s View of Art of the Prairies: Painting and Sculpture in Prairie Canada Today.” Canadian Art 20, no. 2 (March/April 1963): 90–107.
  • Greenwood, Michael. “Robert Murray: Against the Monument.” Artscanada 31, no. 2, issue number 190/191 (Autumn 1974): 28–39.
  • Holstein, Jonathan. “Robert Murray.” Canadian Art 20, no. 2 (March–April 1963): 114–17.
  • ———. “New York’s Vitality Tonic for Canadian Artists.” Canadian Art 21, no. 5 (September/October 1964): 274.
  • James, Geoffrey. “A First at São Paulo.” Time, October 10, 1969, 19.
  • Marshall, Neil. “Robert Murray’s Sculpture.” Art International 23, no. 7 (October 1979): 30–35, 45.
  • McQuade, Walter. “Sculptors in the Factory.” Fortune, April 1966, 140–41.
  • Murray, Robert. “The Education of 12 Practicing Artists.” Canadian Art, 22, no. 5 (November/December 1965): 27–29, 46.
  • ———. “Barnett Newman (1905–1970): An Appreciation.” Artscanada 27 (August 1970): 50–51.
  • ———. “Defending Nimbus.” Sculpture 10, no. 4 (July/August 1991): 18–19.
  • ———. “Powwow Architecture.” City & Country Home, June 1992, 92–95.
  • Raskin, David. “A Painter in Metal.” Art in America, vol. 87, no. 9 (September 1999): 104–109, 138.
  • Reynolds, Mark. “The Emma Lake Encounters.” The Beaver 81, no. 6 (December 2001/January 2002): 8–14.
  • “Robert Murray: The Factory as Studio.” Vernissage: The Magazine of the National Gallery of Canada, Winter 1999, 6–7.
  • Rose, Barbara. “Looking at American Sculpture.” Artforum, February 1965, 29–36.
  • ———. “An Interview with Robert Murray.” Artforum 5, no. 2 (October 1966): 45–47.
  • ———. “Shall We Have a Renaissance?” Art in America 55, no. 2 (March–April 1967): 30–39.
  • ———. “Blowup—The Problem of Scale in Sculpture.” Art in America (July/August 1968): 80–91.
  • Sims, Lowry S. “Robert Murray: Sculpture to Be Seen in Motion.” Artscanada 36, no. 2, issue number 228/229 (August/September 1979): 27–30.
  • Smith, Brydon. “Robert Murray.” Artscanada 26, no. 5 (October 1969): 30–33.
  • Stimson, Paul. “Robert Murray at Hamilton.” Art in America 70, November 1982, 119.
  • Tatransky, Valentin. “Arts Reviews: Robert Murray.” Arts Magazine 52, no. 3 (November 1977): 28–29.
  • Teitelbaum, Matthew. Colour, Form & Space: A New Installation in the Carol and Morton Rapp Gallery. Members Journal, Art Gallery of Ontario 5, no. 4 (Summer 1997): 10–11.
  • Walsh, Meeka. “Dances with Steel: The Sculpture of Robert Murray,” interview by Robert Enright. Border Crossings, no. 70, 30–43.
  • Wheeler, Dennis F. “Ronald Bladen and Robert Murray in Vancouver.” Artforum 8, no. 10 (June 1970): 50–54.

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